– in progress, so what you’re reading here is just my initial research plus a bit of the beginning of the making. I will add more over time as I make progress on the costumes!
Please also note that, as described on the “motivation” page, I make these costumes for my son, myself and my father. I am NOT selling them.
If you “desperately need one” – make it yourself. I guess I’m providing sufficient information on these pages to enable you to do so, if you’re willing to put a bit of effort, learning and work into the costume. –
Assassin’s Creed III – Connor Kenway
The Jacket (or coat, if you want to call it that)
My research for Connor started with his jacket; and that was the sheer coincidence of me finding out that the jacket looks different in rendered promo images opposed to the actual in-game appearance in one point in particular:
Here’s a comparison between the jacket (and vest) buttons as they appear in promo images as well as in-game; click to enlarge:
As you can probably see, the “rendered” buttons clearly have a silver and not very elaborate appearance, while the in-game buttons are dark golden with an elaborate pattern of a cross with inwards-pointed Fleur-de-lys on them.
This pattern on the in-game buttons, as I have researched, is (how befittingly!) called “voided cross and fleurs”. Clicking the link will bring you to a Google image search for that term which will then teach you that this (again, interesting!) is a pattern that was used on coins. Some of the coins displayed there have a very similar pattern; on others, the pattern is not-so-similar, but you get the point 😉
I looked for buttons like those. I really did, but found none.
So I decided to make my own.
There are two possibilities for a person to re-create these buttons: Either by casting them in pewter or bronze, or by casting them in resin.
I would have LOVED to cast them in actual metal for the sheer proper weight, but doing so would have required me to obtain several things that I currently don’t own – heat resistant silicone for the molds, burner, pots, pewter, chemicals to age it… that would have been approximately $150 just for the buttons material and required tools. However… I already had non-heat resistant mold silicone and epoxy resin at hand, which also work for making them, so I decided for that method to make my buttons.
The jacket is apparently made from three materials:
Brown leather for the edging, white linen (or similar coarse, simple weave) for the “white” parts and a considerably coarse blue denim for the lapels.
Note that this only describes the fabric parts of the jacket; of course there are also the buttons (=not fabric 😉 ) and the “additions” to the jacket, such as the beaded arm-bands; but those are on top of the jacket (and not made from fabric either 😉 ), so they don’t exactly belong to the base jacket.
Here are the fabrics that I will use for the jacket (as well as for the vest):
Right: The vest and jacket lapel fabrics in a rendered promo image.
Left, my fabrics – top: a considerably coarse hemp twill, which I want to use for the vest. I know that historically, I should use wool twill; but the coarse hemp twill will just work so much better when aging it.
Bottom: A rather heavy, real indigo-dyed cotton denim, which I will use for the jacket lapels and decorations. It COULD be a bit more coarse, even; but this already IS the heaviest, coarsest denim that I’ve ever seen, so I’ll use it. It ages beautifully, by the way; I already did a bit of an aging test (rubbing with sandpaper as well as testing chlorine bleaching) on a small piece of it.
For the “white” base material of the jacket I have ordered a considerably coarse linen in plain weave (because that is what I can see in the rendered promo images!) and am waiting for it to arrive. Same, by the way, for the leather which I will use for the edging – I ordered antiqued stag leather for that.
The native beaded armbands Connor wears over the sleeves of his jacket really gave me a headache.
They’re, of course, more or less typical native American bead-works, created over a layer of blue and black leather. The texture of the armbands from the game tells me that there are four repeats of the pattern on each armband.
Now, my first idea was that I wanted to do it right. As in: NOT use modern beads, but the real deal – trade beads (search Ebay for those!), which is the actual type of bead that would have been used at that point of time for that kind of beadwork.
However… it’s not quite as simple. If you look at the texture of the bands above, you will notice that the beads on that texture are, in fact, stretched – they’re “wider” than they are “high”.
By measuring the bands using my proportional method, I determined that I would EITHER need 4mm trade beads (not stretched), if I would add one more pattern repeat – or 3x5mm tube beads of any other kind.
I still was determined to make the armbands using the authentic, historical trade beads. So I counted them, and determined how many I would need. I even found a shop that carries the 4mm trade beads (plus white bone beads!) in all the colors I would need. I put the required amount in my cart… and found that for just the beads required for the two armbands, I would have paid $ 77.97 – WITHOUT shipping. And that’s JUST the trade beads; not the leather required for the base, the thread or the needle.
I then thought, why not look for an alternative which also looks nice but a) has the size I actually need and b) is maybe a bit less expensive?
And, lo and behold, I found the alternative – Magnesite beads in 3x5mm size, which, according to quite a few websites like this one, “Native American cultures have crafted magnesite into beads for both jewelry and currency for hundreds of years.” So I ordered those (from this website) in red, blue, white and black and now wait for them to arrive – and they just cost me $33.75 – INCLUDING shipping.
Yes I know, that isn’t actually cheap either; but I want authentic-looking armbands, not “just some armbands that look like Connor’s”; and it’s still less than half of what I would have paid for the trade beads.
By the way, another mistake I noticed in the few existing accurate (beaded) reproductions of the armbands is that people apparently tried to weave them “up and down” (texture-image shown above wise), which would put the holes of the bead “from top to bottom” (again, I’m referring to the precise orientation of the above shown original texture image of the armbands).
This is, after all, how simple bead weaving is taught nowadays; but it’s wrong for these armbands.
You can clearly see that the holes of the beads are going “from left to right”, opposed to what you achieve by weaving the beads “from top to bottom”.
These beads are not bias-woven either (which would not quite achieve that “shifted row” effect), but instead I think they’re supposed to be beaded in a flat, odd count Peyote stitch.
The magnesite beads I ordered have finally arrived – here’s what they look like:
I think that with their very natural, slightly irregular colored look and their weight (they’re stone beads, remember?) they will work just beautiful for this project.
Here’s me working on the armbands:
The belt buckle
As already explained for Aveline’s buckle, I first sculpted a proportionally accurate sized buckle from modelling clay (and oh how many buckles I have seen which are just WAY too large… seriously, Connor’s buckle is a bit SMALLER than the palm of his hand!):
and then – just as for Aveline – I cast the buckle using the cold cast metal process:
The hood is actually separate from the jacket; it is just connected to it via buttons.
The typical beak-shaped hood of Connor – I’ve seen so (too!) many attempts on it, yet I have not seen just ONE that got the eagle motif right.
ALL of the reproductions I have seen have an embroidered eagle on them, but that’s wrong.
As you can see, you can see nothing. As in “no stitching”, hence “no embroidery” (or rather – no embroidery that involves stitching OVER the eagle motif 😉 ).
And now you’re probably curious as to how this can be done. Just clever shadow / light painting? Is it tooled leather? Puched rawhide…?
No, it’s not any of those.
The technique to achieve this raised effect on fabric is called “Trapunto”.
You may want to watch this video on Youtube (and ignore the fact that the motif is outlined with red thread – just imagine outlining it with thread that’s the same color as the fabric…) to learn how it is done. Of course you’re also free to google “Trapunto” beyond watching the video to get an impression how it is done.
So this is how to actually achieve the raised but not embroidered motif. Yes, it takes much more time than to just embroider it – but it looks MUCH more like what we see in the rendered promo images as well as to what’s seen in game. And, of course to my utter joy, the Trapunto technique would also be historically accurate.
So here’s my Trapunto-stitched eagle motif:
Just in case you’re wondering, this is how the motif looks from the backside. Note that this is NOT the lining, but an interlining to make the Trapunto technique possible:
The vest is very interesting. It is, historically, nothing I’ve ever seen.
Now, the red arrow points to what seems to be blue piping along the edge. I’m fine with that; it has historically been done.
However, the green arrow points to some weird “slits” that are all over the front of the vest.
At first I thought that maybe those were bound buttonholes; but they do indeed cover the entire front of the vest which would, well, be a moot point for bound buttonholes. Also, on close inspection, the slits aren’t actually “bound” (like bound buttonholes) but basically “pleats”.
The only method to do that is to actually MAKE pleats, all over the front of the vest, in the process tripling the fabric in that place.
There is a decent pattern available on Deviantart – here, to be precise – but it’s really just a starting point, particularly because the number of pleats (and buttons) is wrong on that pattern.
The original vest, as per the texture, has six pleats and buttons, while this pattern shows seven pleats and buttons.
Here’s a picture showing the vest texture from the game to prove this:
So that readily available “pleated” vest pattern would have to be changed insofar as that one pleat has to be eliminated, and all other pleats have to be readjusted to be evenly spread along the length of the vest.
Also note that from the texture, there’s pretty much “as much unpleated space” from shoulders to first top pleat as there is from last bottom pleat to the end of the vest.
What I did first was to basically derive a vest pattern from the texture you see above, then cut the pattern for the front sides apart at the pleats and added more “space” between the pleats (to be able to actually pleat the fabric while keeping the length).
After that, I pinned the pleats down and first gave the pieces some thorough ironing.
Just to illustrate it closer, this is how the pleats are laid out:
Now, since you can’t really use a sewing machine to sew the pleats down without that being visible on the front side, I stitched the pleats down by hand from the backside. It’s basically joining the edges of the pleats without catching any of the part of the pleat that shows at the front.
On the upper and lower pleats, I had to sew extremely careful to just catch one of the fabric threads, so that stitching would STILL not be visible on the front:
And here’s a photo of the two finished, pleated vest front pattern pieces:
Now, Connor’s quiver is something that really, really surprised me.
All other reproductions of it that I’ve seen so far were made from smooth or suede leather (or man-made materials that strongly resemble suede or smooth leather).
As you can see, that interpretation isn’t really far away from what you can see in screenshots and promo images from the game, such as this one:
However, during my own analysis of the original game textures as well as the original quiver object from the game, I was surprised to find that the in-game quiver is actually NOT leather – neither suede nor smooth!
I have rendered the following image that shows the quiver from all sides – using the original game quiver object and the original textures! – to prove it:
As you can clearly see when clicking and enlarging the picture, the base of the quiver is very obviously either supposed to be made of jute or coarse linen – NOT leather of any kind. The two straps that run around the quiver are leather, yes; but not the base of the quiver (the part with the red inlays and white thread embroideries).
As I said – I was surprised; and probably as much as you are now.
grows as I obtain the materials).
Note that those are really just the material prices; shipping not included if I had to order them somewhere.
|Jacket||Denim, 2 yards||~20 $|
|Stag leather, 1 skin||~30 $|
|Coarse linen, 3 yards||~40$|
|Buttons: Sheet metal, epoxy resin, molding silicone, wire, paint||~25$|
|Armbands||Magnesite beads in red, blue, white and black||28.80$|